Some shows aim for spectacle, some for heart — Barnum cheerfully decides to do both, and for the most part it succeeds. This is a bright, good‑natured musical with plenty to enjoy for the whole family, especially younger theatregoers who will enjoy the circus acts woven through the evening.
One of the production’s most charming features is its band — or rather, its lack of one. Instead of a traditional pit, the cast themselves become a roaming orchestra, collectively playing an astonishing 150 instruments. It gives the show a wonderfully inclusive feel, as if the music is bubbling up organically from the world of the story. The score itself is upbeat and parade‑like, though in truth only Come Follow the Band really lingers once you’ve left the theatre.
Lee Mead is a natural fit for the charismatic P.T. Barnum, and judging by the cheers, he’d brought a loyal fanbase with him. But the standout performance of the night is Monique Young as Charity Barnum. She brings warmth, steel, and emotional clarity to every scene — feisty when needed, reflective when it matters, and always the grounding force in Barnum’s whirlwind of ambition.
The production proudly advertises its collaboration with Zippos Circus and the National Centre for Circus Arts, and that influence is clear. While die‑hard circus purists might crave more technical daring, the show offers a generous sampler platter of circus skills: fire‑eating, juggling, aerial silks, acrobatics — enough variety to keep children utterly absorbed.
And then there’s Jumbo. The enormous elephant puppet, created by Significant Object and brought to life by at least three performers, is a genuine delight. Designers Mervyn Miller and Tracey Waller deserve applause of their own for crafting such a joyful, lumbering marvel.
Overall, Barnum is a lively, family‑friendly evening that blends musical theatre with a dash of circus sparkle. It may not reinvent the big top, but it certainly sends you home smiling.
Four Stars.
Reviewed by Alexa Gardner.
Theatre, Art and Film Reviews 
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