Set in the 1920s, “Chicago” draws inspiration from the real-life cases of Beulah Annan (the basis for Roxie) and Belva Gaertner (the basis for Velma), both of whom were acquitted of murder charges after killing their lovers, helped by clever lawyers and significant media attention. The headline “Pretty Girls Get Free, Ugly Ones Get Sent to Pen” captured public attention at the time. Originally written as a play by journalist Maurine Watkins, the story has since been adapted into multiple films and is now presented as the acclaimed Kander and Ebb musical.

Taking centre stage and mounted on black steps is the outstanding 10-piece band and Musical Director Neil MacDonald who leads the musicians with undeniable charisma, occasionally stepping into the role of compere as he introduced the cast. They get their own moments of glory when they are showcased during the Entr’acte and following the finale, on both occasions receiving enthusiastic, and very well-deserved, rounds of applause.  

The minimalist set design highlights the performers, with a central runway giving the leading ladies ample space whilst providing a nightclub ambience. However, the ensemble dance numbers would benefit from additional stage space.

Whether individually or together, leading ladies Djalenga Scott and Janette Manrara are the central focus of this show and quite rightly so. Manrara’s compelling stage presence were matched by Scott’s magnetic rendition of All That Jazz setting the tone for the night with its sultry energy.

Darren Day as Billy Flynn played the slick, scheming lawyer to perfection. One scene that really stood out was where he coached Roxie during a press conference, using her as a ventriloquist’s dummy. The choreography and timing in this sequence were faultless.

Sinitta Malone, as Matron “Mama” Morton, delivered a show-stopping rendition of When You’re Good to Mama, commanding the stage with her strong vocal ability.

Dance plays a significant role in Chicago, and the company delivers strong performances. Ann Reinking’s choreography draws from Fosse’s original style, incorporating jazz movements that reflect the dance styles of the 1920s. With the stunning dancers mainly clad in black lingerie throughout, this is a very raunchy show.

A surprise contender for best musical number was Joshua Lloyd as poor old Amos who won everyone’s hearts. His rendition of Mister Cellophane was heartfelt and full of charm. A stunning performance of a profound and poignant song.

This is a musical about women accused of murder but also exploring themes of corruption, celebrity, media influence, and society’s fascination with sensational stories. While not perfect, Chicago has some outstanding performances.

4 Stars

Reviewed by Nina Gardner.

Touring the UK until the end of August 2025 tickets are available for Chicago at Woking Ambassador Theatre at the link below.

https://www.atgtickets.com/shows/chicago/new-victoria-theatre/