Majun (the title means together) is a cross-cultural performance that integrates both traditional Ryukyuan dance, improvisional music and a specially commissioned Noh mask.
Originally Ryukuan dance developed as a form of prayer to the gods. The dances eventually into folk and court performances which form the basis of what we see today.
Riko Sugama enters the stage in a stunning Okinawan kimono. Vibrant orange with cherry blossom motifs and a traditional, large red lotus hat commands attention. Riko moves with measured pace, slowly, in time with the single bell notes from Ayane Kondo. Each step precisely placed accompanied with gentle hand movements.
Returning to the back of the stage she removes her decorative garments, releases her hair and removes the ceremonial make up. Now dressed completely in black she performs elements of traditional dance with a contemporary twist. Her movements are powerful yet delicate including the slow movements inspired by Japan’s Noh theatre.
With a nod to the diversity of the traditional Okinawa’s rich performing arts culture and district dances Riko incorporates many accessories in this production.
The red and white flowers express her feelings for the man she loves, an umbrella, a fan and the quintessential prop, the Noh mask which seems to invoke the invisible. Some of the moves are recognisably derived from karate forms.
This is a beautiful production, employing minimal elements with maximum effect, each movement accompanied by Ayane Kondo with skill and grace. It is peaceful, moving and meditative.
Performing at the Prague Fringe on May 30th and May 31st.
For more information and to book tickets please use the link below.
Reviewed by Nina Gardner.
Theatre, Art and Film Reviews 
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